In the past century, a global proliferation
of dense cities filled with high-rise towers has quickly become a dominate form of human habitation. Skyscrapers around the
world generally follow an efficient vertical extrusion typology, or a set-back
style popularised by the 1916 Zoning Resolution of New York, which required setbacks to reduce building bulk to stop stop large
blocky structures from preventing light and air reaching the street. These legal restrictions created a stylistic movement among architects, inspiring the stepped shapes of the Art Deco style (most famously, the Empire State Building) and is still a trendy formal exercise for high-rise construction.
Metropolis of Tomorrow visually representing the consequences and ideal effects of the 1916 Zoning Resolution (1929)
LEFT: The Empire State Building, an Art Deco masterpiece (Image by Jiuguang Wang)
RIGHT: 56 Leonard by Herzog & de Meuron, a stepped building influenced by New York City setback restrictions which is currently under construction
the amount of built floor area in proportion to the size of the site, similarly
influencing architects to adopt set-back building schemes in order to prevent urban oppression by limitless high-rise development.
allowing light to reach the street level) reduces the amount of public
space at grade and puts pressure on ground-level infrastructure. The end result is cities filled with narrow, corridor-like urban canyons overcrowded with pedestrian and vehicular activity.
In a recent lecture by Moshe Safdie, the legendary architect and urban planner postured that as cities around the world have quickly become
urbanised in the past century, using a brand-new high-rise building typology-
we need to think of new urban typologies to go with them, rather than
continuing to build our cities in the same way as when we were building only a
few stories high (as most cities, even the largest metropolises, do today).
I propose that architects and urban planner rethink the way that we build high-rise cities, using a middle-heavy urban typology maximizing light, public space, and multi-level connections to improve the urbanity of dense metropolitan environments.
This concept has been executed in a few specific edifices such as the Shenzhen Stock Exchange, where Rem Koolhaas placed the large trading hall in an elevated, cantilevered plinth, allowing a large public space beneath and a transcendent environment for the trading hall.
In WOHA‘s PARKROYAL on Pickering, the carpark structure is elevated off the ground, which allows the building tread lightly on the ground plane and provide ample public space below. The terraced contour architectural language dynamically carves out urban spaces of all shapes and sizes for public use, and reduces the hard building edge impact at street level. Above the elevated podium, four tower blocks are vertically extruded. This stunning structure epitomises WOHA’s stratified approach for creating urban buildings, with a lower strata interacting with the city and an upper strata embracing the sky.
This approach can be similarly seen in the School of the Arts, a specialist urban school with a lower public strata filled with public performance venues and open-air community spaces, and a secure upper strata for the private classroom facilities.
This typological movement builds on the conceptual foundations laid by Le Corbusier with his five points of architecture, specifically the “Piloti” concept that buildings should be raised off the ground, allowing public space and circulation below the building.
Expanding on this concept, a middle-heavy urban typology would replace sidewalks and streets with an expansive citywide network of sheltered plazas and parks. Vehicular networks can be freed from the narrow constraints of the typical city to allow generous pedestrian friendly streets, incorporating curbside greenery, life-saving medians and buffer zones, and facilitate future expansion without compromising area for pedestrian circulation and activity-generating facilities. The “middle-heavy” architectural strata can facilitate upper level building-to-building pedestrian connectivity alleviating foot traffic from the ground plane.
As architects and urban planners, we need to consider bold macro-scale ideas to elevate our urban existence past the status quo to a new kind of city life. The simple typological shift proposed in the middle-heavy city maximises natural light, sheltered community space, and ground level infrastructure to ultimately improve the urbanity of dense metropolitan environments.
That's what the arcade typology will get you too. Very effective.. Maximum envelope above, and more public space below, which is protected from the elements to boot. Lots of great arcaded streets here in Mumbai, in the old colonial center..
Very true, thanks for your comment. Here in Singapore, we call it the 'five foot way', a covered passageway in front of the building. This schematic concept adapts some of those same ideas from the traditional colonnade archetype as (1) a citywide approach, decreasing the built footprint across an entire urban area without decreasing built area and (2) adapting the concept for use with the drastically increased scale of high-rise development.
I believe it is a good idea to maximize land use, further more bottom heavy street feels clasterphobic. I think Park Royal hotel and Mandarin hotel in Orchard is a good example of middle heavy. Yup their addition above ground level also encourages pedestrians to enter the mall from the second level via the outdoor escalator provided. This gave visitors a "balcony view" of Orchard and also smooth flowing of sheltered human traffic below. Great blog! I really enjoyed reading it. I am glad to know someone who has the same perspective and interest.
Hey, Mandarin Hotel (and all of Orchard Road) is a good example that I didn't think of! This is due primarily to the Singapore Urban Redevelopment Authority's "Urban Verandah" incentive scheme for Orchard, allowing developments to stick out over the pedestrian promenade as long as it is above ground level and of architectural merit. It's great in our rainy tropical climate to provide shade and shelter, while also adding to the vibrancy of the area. Good point.
I'm glad you enjoy urbanARCHnow, and thanks for contributing with your comment. The idea behind this post was not to promote any specific architectural style or execution, but to provoke a dialogue on how we as architects can make urban places better. So thanks!!
What about earthquakes? An highrise resting on fragile-looking pillars doesn't inspire a sense of safety.